Seeing and Sharing Beauty

Category: Illinois (Page 2 of 3)

Moon Landscape Photography

Moonlight Beach

“Moonlight Beach”, Moonlight reflections on Cannon Beach, Oregon

As a landscape photographer, I  track the date of the next full moon in the hopes of getting  it into a photographic composition.  If the clouds cooperate, seeing the moon low on the horizon is always a thrill and it can add dramatic interest to a photograph.  I have learned that the shot does not have to be taken on exactly the day of the full moon.  It can be taken  a few days earlier or a few days later and still be what I’m looking for.

I created a mnemonic device to help me remember when to shoot: B-E-A-M.
It stands for

  • BEFORE the full moon date, shoot in the  EVENING toward the east.
    On the days leading up to the full moon date — the BEFORE days — the moon is full-looking and bright and low in the eastern sky right around sunset — in the EVENING — and for a few minutes the sky will be a muted pastel blue, with possible orange sunset light illuminating clouds or objects in the landscape below the moon.
  • AFTER the full moon date, shoot in the MORNING toward the west.
    On the days after the full moon date — the AFTER days — the moon is full-looking and bright and low in the western sky right around sunrise, in the MORNING, and there the sky will be a muted pastel blue, with possible orange, pink, or yellow sunrise light illuminating clouds or objects in the landscape below the moon.

Either occasion makes a  nice tonal composition without the extremes of a too bright moon and a too dark sky.

Moon Moment

“Moon Moment”, Moonset near Millenium Park Tower

B-E-A-M

Before Evening, After Morning

Now it’s easy for me to remember whether I need to get up early or stay out late.

Good luck on shooting the moon!

Masterclass :: Mastering Composition

Assignment: Composition on Location

“Imagine that a magazine or website has asked you to illustrate a feature on the techniques of composition and choose a famous landmark as you main subject.  Use every trick in the book to produce an unusual interpretation of a well-known local feature.”

— from Digital Photography Masterclass by Tom Ang

Results

This was fun. I try to “use every trick in the book to produce an unusual interpretation” on all my shoots.  Or should I say, I look around and try to capture something beautiful on all my shoots.

The tricks are not all in a book, though.  I believe they come more from inspiration.

Choosing a single famous landmark for Chicago was something I tried to do and could not.  Sears (now Willis) Tower, the Hancock Building, Navy Pier, Shedd Aquarium, Adler Planetarium, boats, lake sunrises, and on and on.  What’s your favorite Chicago landmark?  What says CHICAGO to me is the Chicago skyline, and I was able to capture it in pre-dawn light, lit by its own city lights glow.

“Chicago North Panorama”, (C) Harry Hitzeman

See this panorama in full screen slide show mode at my Chicago Set on flickr, as well as images from Navy Pier, Ohio Street Beach, North Avenue Beach, and Millennium Park.

Building Bloom Vertical

“Building Bloom Vertical”, Smurfit-Stone Building, 150 North Michigan Avenue, from Millennium Park, Chicago, Illinois

Masterclass :: Obtaining Ideal Color

Assignment: City Streets

“Working in an urban area where there are plenty of people present, try to capture the busy scene in a balanced, well-composed image.  You can either record a general view, or get in close to take a more intimate shot.  Take advantage of colors and shapes when composing and organizing the shot.”

— from Digital Photography Masterclass by Tom Ang

Result

This assignment was about looking for ways to compose with color and shape in an urban area with people present.  The famous Cloud Gate sculpture in Chicago’s Millennium Park is always surrounded by people.  This image uses a clear blue sky to define the three spikes of buildings poking upwards like asparagus, with a huge silver melon of a sculpture stealing the show in the foreground.

Man’s Vegetable Garden.

 

Garfield Park Conservatory :: Composition in Nature

“To consult the rules of composition before making a picture is a little like consulting the law of gravity before going for a walk.  Such rules and laws are deduced from the accomplished fact; they are the product of reflection.”

— Edward Weston

Reflections in Green

Reflections in Green – Garfield Park Conservatory, Chicago, IL

Composition in photography is a big topic.

Just what is “good” composition?  Can it be defined by a set of rules?  If it could, a camera company will put a program and some sensors into your camera and you won’t need to think about it anymore.  We already have automatic exposure and automatic focusing . Just add automatic pointing and automatic zooming and automatic shooting and automatic developing (correcting color and contrast) and soon you can just send your camera out on its own and look at the pictures it posts on Facebook.

We think we like to have rules so we know if we are “doing it right”.  What’s more important in creating art is how it “feels”.  How do I feel when I look at a scene?  How can I frame it and expose it and focus it, so that when I see it later on a monitor or in print, it still makes my soul breathe deeply.  And what sweet added joy to know that someone else (such as, my wife!) may cry with joy when she sees the symbolism of the arrangement of all these captured and tweaked pixels, my vision in light of life.

In a class at the Morton Arboretum in DuPage County, Illinois called “Composition in Nature”, taught by Willard Clay, we discussed several rules that can be used in creating a composition in nature.  These rules are more aptly called “tools” because it is always the artist’s decision and vision that determines when and what tools will or won’t be used in creating a composition.

The biggest rule — in art and in life — is to create what you love.  The rules in composition are about creating an image  in a two-dimensional rectangular pattern of pixels of colors and lights and shadows that results in lifting the soul of the viewer to experience beauty (or some other emotion).   The rule in life is to breathe deeply in the beauty around us.

Side by Side

Side by Side, Garfield Park Conservatory, Chicago, Illinois

Masterclass :: Obtaining the Best Image

Assignment: Urban Nature

“Search for juxtaposition of natural forms against man-made structures and try to record them with the very best quality.  You can work with general views of the environment or in close-up to focus on details that are usually overlooked.”

— from Digital Photography Masterclass by Tom Ang

Result

I have always enjoyed looking at the moon, and as a fine art landscape photographer, I am always looking for ways to create a dramatic photograph with the moon in it.  There are some places where you can shoot the moon setting over a mountain.  Here in Chicago, tall buildings are our mountains.

So this morning I had a strategy all laid out for getting a shot of the full moon (nature) in the sky next to Chicago’s John Hancock Building (man-made form).  Using a great program called The Photographer’s Ephemeris, I had calculated that the best time and place to get this shot would be from Olive Park on Chicago’s lakefront, at about 5:00 AM this morning.

This was to be a true “alignment of the planets”.  The several “planets” involved were — the moon, the earth, the John Hancock Building, Olive Park, my camera, and me — all lined up at 5:00 AM to get this shot!

Houston, we have a problem: there’s a blanket of clouds between the moon and the Hancock, and, oh, Olive Park doesn’t open until 7:00 AM.

But it was fun being part of a “moon landing” even though my name isn’t Neil Armstrong.  I still got some nice shots of the Hancock in pre-dawn light, and some other pretty sights along the lakefront.

With nature and landscape photography, make the most of what’s in front of you!

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